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DHS Student Officer, Lydia Caston, reviews 'Oriental Bodies' and the Performance of Gender (Le 'Corps Oriental': Genre, Gestes et Regards), a three-day conference held in Paris in December 2017.
Features
Professor Jeremy Aynsley, Chair of the Design History Society, rounds up the year.
Features
From 7-9 September, design historians from all over the world gathered in Oslo, Norway for the 2017 DHS Conference, Making and Unmaking the Environment. This year, Lydia Caston (LC), DHS Student Officer, and Vivien Chan (VC) and Simon Spiers (SS), DHS Ambassadors, covered a selection of panels during the conference.
Features
From 7-9 September, design historians from all over the world gathered in Oslo, Norway for the 2017 DHS Conference, Making and Unmaking the Environment. This year, Lydia Caston (LC), DHS Student Officer, and Vivien Chan (VC) and Simon Spiers (SS), DHS Ambassadors, covered a selection of panels during the conference.
Features
At this year's DHS Conference, Harriet Atkinson (DHS Research Grants Officer) and Lydia Caston (DHS Student Officer) held a small meeting for students and early career researchers to receive feedback on how the Society can further support its members. If you were unable to attend the meeting, here is a reminder of what opportunities and awards the DHS offers.
Features
From 7-9 September, design historians from all over the world gathered in Oslo, Norway for the 2017 DHS Conference, Making and Unmaking the Environment. This year, Lydia Caston (LC), DHS Student Officer, and Vivien Chan (VC) and Simon Spiers (SS), DHS Ambassadors, covered a selection of panels during the conference.
Features
40 years have passed since the Design History Society was formed in 1977. Additionally, the Journal of Design History, created by the Society in 1987 - and now a leading journal in the field - celebrates its third decade of publication this year. To commemorate both milestones, the Society decided a poster should be created for the upcoming DHS 2017 Annual Conference.
Features
This article explores three twentieth-century villas - Villa Tugendhat, Villa Müller and Villa Rothmayer - comparing their interiors, and the representations of these houses and the families living in them.
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