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Jessica Kelly reports on the publication of her monograph titled No More Giants: J.M. Richards, modernism and The Architectural Review, which was partly funded by the DHS Research Publication Grant.
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Sara Hume reports on the publication of her monograph titled Regional Dress: Between Tradition and Modernity, which was partly funded by the DHS Research Publication Grant.
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Erica Tso, Doctoral Researcher at the Department of Art History, Curating and Visual Studies, University of Birmingham reports on her delayed research trip to Japan as recipient of the 2021 DHS Research Access Award (Student).
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Alice Naylor, AHRC-funded Collaborative Doctoral Researcher at the University of Portsmouth and Science Museum Group reports on two live events that evoked the history of a Kenwood demonstration, supported by the DHS Outreach and Events Grant.
Reports![Report: Chandigarh Chairs (recipients of the DHS Research Access Grant [Professional])](https://cdn.designhistorysociety.org/uploads/images/_half/chair.jpg)
Petra Seitz, Nia Thandapani and Gregor Wittrick report on their 2022 fieldwork into the Chandigarh Chairs project which involved an initial trip to Chandigarh, supported by the DHS Research Access Grant (Professional)
ReportsKatie Irani is a current student on the RCA/V&A History of Design Programme, she is also a recipient of the Student bursary for this year's DHS Conference.
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In this blog report the awardees of the DHS Conference Bursary, Joana Baptista Costa and Mariana Leão talk about the Open Portuguese Graphic Design Archive, an initiative they lead in order to "problematise the processes of the historiography of graphic design and question the authorities and the powers that define objects, themes and authors."
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Leanne Tolkin is a PhD researcher and a textile and fashion conservator. In this report Leanne talks about the ‘postconservation’ model that extends the legacy and appreciation of fashion artefacts beyond a representational conservation approach. After all, if a fashion item is designed to degrade, what are the archival implications in conserving, documenting processes and ‘performance’ of the applied characteristics of such artefacts?
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