Design History Society Essay Prize 2015
Undergraduate winner:
Rosie Clarke, BA History of Design, Culture and Society, University of Brighton
Essay title: Homes on the Move: Caravan Dwelling in Twenty-first Century Britain
Postgraduate winner:
Alison Rees, MA Ceramics and Glass, Royal College of Art
Essay title: Physical Reminders: Tracing a ceramic mural's presence and absence in postwar London
Other nominees:
Karen Bell, The International in the Domestic: A critical study of the Howarth Road Houses and their place in Modern Movement Discourse, Dublin School of Creative Arts
Molly Butcher, Occupy Mars: Manned Missions to Mars and the Material Culture of the Contemporary Space Industry, School of Visual Arts (NYC)
Constance Burks, Mechanising Authenticity: The Change from the Bheart Mhor Loom to the Hattersley Domestic Loom in the Harris Tweed Industry, 1919-1935, Royal College of Art
Jack Collins, Playing with Power: Gender and Identity in Lego (2005-2015), IADT
Sophie Declerck, Study of a Tibetan 'Gold Flower Hat', Royal College of Art
Linnéa Haviland, Becoming Reader, Resisting Being Read - the intersection of racism and sexism in Bande Dessinée, and its rejection in Aya, Kingston University
Stephanie Hope, The uncanny in Peter Gabriel's 'Sledgehammer', University of Brighton
Tom Hutton, A time for critique: Is graphic design purely a service-oriented discipline or is there potential for critical practice? London College of Communication
Jessica Jenkins, Beauty and ornament, function and form: designing beauty in the German Democratic Republic, Royal College of Art
Ida Kamilla Lie, Social Responsibility in Nordic Design Discourse, 1967 -1973: Victor Papanek and the Scandinavian Design Students Organisation (SDO) University of Oslo
Susan Merritt, Lay me Down to Sleep: The Design of Coffins, Caskets and Alternative Containers, School of Visual Arts (NYC)
Gabriele Oropallo, The Environmental Crisis in Design Culture, 1968-1973: Awakening and Opportunity, University of Oslo
Justin Zhuang, Piracy & Design: Re-thinking Intellectual Property in the Third Industrial Revolution School of Visual Arts (NYC)
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